![]() Find album reviews, stream songs, credits and award information for Prenda Minha Ao Vivo - Caetano Veloso on AllMusic - 1999 - In this uneven album, Caetano Veloso used cool Find album reviews, stream songs, credits and award information for Prenda Minha Ao Vivo - Caetano Veloso on AllMusic - 1999 - In this uneven album, Caetano Veloso used. On Noites do Norte ao Vivo, Veloso performs most of the songs from his Noites do Norte album, together with new versions of several of his older songs and, as usual, Veloso also interprets songs by other artists. On the other hand, for those who hoped that Caetano's tropicalist album would be a sequence of songs aesthetically coherent with the ideas of the movement and consequently without any coherence, he might find 'Clarice' a little distant from the proposal. Even Caetano thought to tell the truth. But make no mistake. 'Clarice' is not unpretentious music as it seems. The melody carries an immense sadness, tells the story of modesty, of the modesty through the innocence of a sad girl who ends up undressing. All carries a melancholy and a mystery. Brazilian music itself was undressing at that historic moment. Tropicalism was this, it was the possibility of being naked. And that's what Clarice did. The other woman on the record is 'Clara'. It's a short song that does not excite me, but I obviously recognize its value. In fact, I like a few moments, mainly the vocal exchange between Gal and Caetano and some breaks of rhythm, but the repetition of a same name several times always irritated me. And with Claaaara, Claaaara, Claaaara, it could not be any different. We also have Mary, in 'Annunciation' and in 'Ave Maria'. The first one has a good lyrics, really good but that ended up embedded in a tune of dubious quality. And again has the irritable repetition over and over again: Maaariaaa, Maaariaaa. The second is the type of music that does not.~. To non-Portuguese speakers, Caetano Veloso might not sound anywhere near as transformative as the other albums of that year: Electric Ladyland, The White Album, White Light/White Heat, Anthem of the Sun, A Saucerful of Secrets, to name just a few. Couched in lush orchestral strings suggestive of the generation prior instead of the psychedelic production effects of the moment, it’s a sound thoughtfully strummed on an acoustic guitar. It has few of the tricks and technology of the aforementioned, but at its heart, it’s a revolt, a message delivered at a purr rather than a howl, elegantly gliding past military censors. ![]() NOTE: Your browser is not recognized and the Dusty Groove website may not function properly. The following might help you find what you're looking for: • Enable cookies and Javascript on your device. • If you are using a mobile device, visit the site from a desktop machine. • If you are using an old version of your operating system or browser, upgrade to the current supported version. • You can try using the. You may try to continue using the Dusty Groove website, and if you have any trouble placing your order online we suggest you make a list of the items you wish to buy order by phone at Monday through Friday, 10am–4pm, Central Time. One of the building blocks of the late 60s Tropicalia scene in Brazil – and a standout solo debut from the young Caetano Veloso! Antonio gramsci maquiavelo y lenin pdf. The album's got an approach that's as dynamic and trippy as its cover image might imply – the same amazing blend of sounds and styles you'd hear on contemporaneous records by Gal Costa or Os Mutantes – served up with similar wit, wisdom, and charm! Caetano's vocals are amazing throughout – filled with raspy power that goes beyond the barriers of language – and the production has loads of surprising elements tripping through the mix – some rootsy, some slightly orchestrated – but with a softer approach that resonates strongly with more psychedelic use of organ and guitar. The album's as powerful today as it was decades ago – an essential recording that holds up beautifully year after year! The kickoff track is 'Tropicalia' (surprisingly enough!), and the album is a non-stop ride through gems like 'Alegria, Alegria', 'Onde Andaras', 'Paisagem Util', 'Ave Maria', and the groovy 'Soy Loco Por Ti America', written by Gilberto Gil. A beautifully spare album from Caetano Veloso – one of his greatest albums of the 80s, and quite unlike anything else he did in the decade! The sound here is almost a bit like Joao Gilberto's classic 1973 album for Polydor – mostly just acoustic guitar and vocals, recorded with a slight echo and a really warm feel overall – a quality that offers up a whole new side of Veloso's genius, with only a bit of added percussion on a few tracks. Caetano's vocals are wonderful – personal, intimate, and very rich, despite the quite setting – and titles include 'Get Out Of Town', 'Terra', 'Nega Lauca/ Billie Jean/ Eleanor Rigby', 'Luz Do Sol', 'Trilhos Urbanhos', 'Odara', and 'Saudosismo'. A landmark album for Caetano Veloso – a full set of tracks sung in English, as beautifully done as we ever could have hoped! The arrangements are really fresh – in a style that makes the album far more than just a set of standards – and instead gives it the edgey approach of some of Caetano's best recent work.
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